Jacqueline Surdell

Exhibitions

The Armory Show, SECRIST | BEACH, Solo Booth The Conversion: Rings, Rupture, and the Forest Archive Bliss!Design Miami, Mindy Solomon Gallery EXPO Chicago, Library Street Collective Making Time Adoration Garden Lil Bebs East East, Gallery COMMON, Solo Booth UNTITLED Art Fair, Library Street Collective Asymmetry Score!Toolbox@Twenty I started from a place of embracing that which I cannot control

Selected Works

Embracing Bloom Paul Tondo (golden)Untitled (Eden)Cloudscape: She Paused, Peering Through the Veil Desire Path Eve & Adam My Kaleidoscopic View My Roman Empire Penance of Leaves Suddenly, she was hell-bent and ravenous (after Giotto)Untitled (we can be stars)By the skin of my teeth Dejima at night; contemporary perspective (after Kawahara Keiga)she is a living gate, an abyss, open before the moon Shivering, she shook off the icy grip of memory Charybdis III Cotopaxi with Cotton Candy Skies Desire to Ascend (our)Earth Licker Mist in Lavender Series Not one but not two either (Blue)Not one but not two either (red)Reliquary #7 Votive Series Cotopaxi: Blood Moon (after Frederic Edwin Church)Penelope's Charybdis Scylla IV Study of Red Rope Melancholy of Always Pale Nightmares: The Brutal State (after Thomas Cole)The Consummation State

Information

Jacqueline Surdell

Pale Nightmares: The Brutal State (after Thomas Cole)

2020 Braided cotton cord, nylon cord, paracord, fabric 61 x 60 x 10 in

Pale Nightmares: The Brutal State (after Thomas Cole) (1) — Pale Nightmares: The Brutal State (after Thomas Cole), 2020. Braided cotton cord, nylon cord, paracord, fabric, 61 x 60 x 10 in

Pale Nightmares: The Brutal State (after Thomas Cole) (2)

Pale Nightmares: The Brutal State (after Thomas Cole) (3)

Pale Nightmares: The Brutal State (after Thomas Cole) (4)

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